Rebellion’s Song

The rebellion is over. The real fight has just begun…

Recently victorious in her rebellion against the crown, Ethlynn must now keep her newly freed people alive.  Though they won their first battle, they have no functioning government or trained army, and Ethlynn’s magic alone won’t be enough to protect them.  Desperate to never wear a slave collar again, she resolves to travel with her brother Kemp to the neighboring country of Seinako to negotiate an alliance.

Flying on the back of a dragon and swimming to the ocean’s darkest depths to make deals with mermaids, Ethlynn realizes the world is far bigger than she could have ever imaged – and infinitely more dangerous.

The sorcerers of the crown are furious at her betrayal and enlist the Alpha of Esper’s deadliest werewolf pack to find her, and the huntsman doesn’t plan to bring her back alive.  It’s not enough to survive. She must win over Seinako before the new world she created comes crumbling down.  Even if that means she must become the cold-blooded killer the crown once groomed her to be…

PURCHASE HERE TODAY!!!

Chapter 23: How to Create the Best Romantic Subplot

I want you to sit and be honest with yourself.  Whether a novel or a TV show, how important are the romantic subplots?  Personally when rereading or skimming back through a book I’ve already read, I find myself stopping at the scenes where the romantic interests finally kiss or some other big step in their relationship.  In shows like The 100, I know my best friend is invested in it purely to see Bellamy and Clarke finally get it on.  A romantic subplot can make or break your story, and you have to make sure that your readers are rooting for them to get together, not wondering why the two are even a thing.

The first question you have to answer is what trope you want the love interest (LI) to fall under in regards to your protagonist (MC) (or other character, if neither of the romantic parties are the main focus of the novel).  Do you want them to be ‘opposites attract’ in regards to one another?  ‘Tall, dark, and mysterious’?  ‘From friend zone to end zone’?  ‘Thin line between hate and love’?

Everyone has their preference, but quite honestly you can pick any as long as you do it right.  I’m going to go into more detail of each trope, but the first message I want to get across is the dos and don’ts in a more general setting.

Be careful not to make the romantic subplot line completely separate from the main plot.  Every scene in your book should be plot-driven, and your characters developing romantic feelings for one another shouldn’t push the brakes on what’s going on.  A good example of this is in The Agency series by Y.S. Lee.  Mary (MC) and James (LI) have different goals that lead them on the same path.  They’re constantly at conflict with one another, and eventually learn that it’s better to work together than getting in each other’s way.  This mutual respect mixed with attraction leads to the two’s eventual relationship.  It’s a slow and steady progression that doesn’t finally come together until several books in, but it’s the perfect example of the “OH COME ON JUST KISS HER” that keeps the readers wanting more.

My second piece of advice is to not lose one character into the other.  Unless it’s intentional and you want a character to come off as a weakling who’s entire being is dependent of the love interest, make sure that you keep clean separations in one from the other.  The best example of this going wrong is Twilight.  Bella had no personal interests, hobbies, anything that distinguished her.  She was shy and clumsy, but that’s as far as her dimensions went. This is brought to light even more in New Moon.  When he’s not there she become a non-functioning, suicidal human.  The book literally skips months and months because her story simply isn’t worth telling without him in it.  While it’s true that romance is a heavy, heavy theme in Twilight, so Meyer might’ve only wanted to focus on the two as a couple, it can also be said that there’s nothing she could’ve potentially written about to keep the readers hooked without Edward there.

Okay, so let’s delve into ‘opposites attract’.  The example I’m going to give for this is my very own Ethlynn and Nash from The Freedom Game. Ethlynn comes from a background of slavery, never speaks her mind out of fear, and almost always takes the time to think before she speaks.  Nash, on the other hand, was born into one of the most powerful families in the kingdom, makes sure everyone and everyone knows his opinion and expects them to take it as fact, and often has to backtrack to stay in the clear because his tongue is so much quicker than his mind.  The two make for an explosive combination.  For Ethlynn, Nash represents the very people who’ve kept her people so oppressed; for Nash, Ethlynn is supposed to be property more than human and to lose to her is to lose all respect from his fellow nobles.  They have the same goal: to gain Professor Maithe’s apprenticeship.  This causes their paths to intertwine and put them face to face more than either would like.  The more time they spend together, though, the more they can’t help but humanize one another.  With an ‘opposites attract’ dynamic, don’t be afraid of confrontation.  It’s what makes this trope so fun to read.  To keep the progression realistic, keep it slow.  Arguments that turn to debates that turn into challenging one another to look at a different perspective.  Give them at least some common morals or interests.  In order to make this combination work, they have to have a firm foundation that makes the other stuff just prat of the fun.

Tall, dark, and mysterious.  For this trope, I’m going to refer to my sister’s book: Clockmaker: A Gothic Steampunk Novel.  Lesauvage (LI) comes to Melek (MC) in need of help to transport a mysterious crate.  She doesn’t trust him and thinks him eccentric despite being attracted to him.  For this dynamic, the key is to be careful in building trust.  Often the ‘tall, dark, and mysterious’ character has trust issues because of their past, and the opposite doesn’t trust them purely based on how mysterious they are.  This makes sense.  Don’t just magically have them trust one another ‘just because’.  If they develop trust quickly, give reason to it.  Don’t make either character go against who they are just because of the other’s ‘dreamy eyes’ or other nonsense.  I’m not saying don’t have the characters get along.  They can be the exact same character type except we know more about one than the other.  Their similarities and differences are completely up to you.  Make it a journey to find more about the mysterious person.  Leave the reader wanting to know more.  Maybe some things happen where you have to question their integrity.  But when it comes to why you start to trust them, give concrete scenes and scenarios that give you a better understanding of why that person is the way they are.

From friend zone to end zone.  As the ever basic Harry Potter nerd, I have to refer to Hermione and Ron in this example.  In particular, I’d like to call out Harry Potter and the Goblet of Fire as the crucial turning point in their relationship.  Up until that point there had been some serious hinting at the two eventually becoming an item, but this was the first time that their feelings (and jealousies) were actually vocalized, unless you count Ron being jealous of Hermione doodling little hearts in Lockhart’s lessons.  It’s important with this trope to not skip the friendship phase.  Show why they’re friends. Despite their differences, from the first book we saw that Hermione and Ron would support each other.  Just look to this quote from Sorcerer’s Stone:

“Yes – of course – but there’s no wood!” Hermione cried, wringing her hands.

“HAVE YOU GONE MAD?” Ron bellowed.  “ARE YOU A WITCH OR NOT?”

“Oh, right!”

It shows that even if he’s going to do it without directly complimenting her, Ron is going to believe in Hermione and push her to realize what she’s capable of.

Then, there’s the time in Prisoner of Azkaban where Ron stands up for her faults like when Snape deducts points from Gryffindor for “being an insufferable know-it-all”.  Book-Hermione is much more brash and gives off more of a stuck-up vibe than Movie-Hermione (which only makes her more three dimensional, not any less lovable).  Still, Ron stands up for her saying that Snape couldn’t ask the question if he doesn’t want to be told.  I could go on and on of more examples of the two’s developing friendship, but let your readers appreciate their friendship while desperately wanting them to get together before you finally give it to them.  This trop is especially tricky because it’s so common in real life.

Thin line between hate and love.  For this example I’m going to have to call out my favorite couple from the classic Pride & Prejudice: Elizabeth Bennet and Fitzwilliam Darcy.  As soon as they meet, Darcy insults Lizzie in front of all of her friends.  Just look at this quote from Elizabeth, “There are few people who I really love, and still fewer whom I think well.  The more I see of the world, the more am I dissatisfied with it…”  Both of them are hard to please and have very different views from one another.  Darcy went so far as to propose, thinking that she wanted it, when she still hated him.  The two are hardly ever on the same page, and even when they are they don’t understand one another’s actions.  It isn’t until the letter where Darcy explains his thinking that Elizabeth begins to change her perception of him.  Sure, there are moments of attraction between the two before then, but Lizzie is so tight in her ways that she wouldn’t act on them when she believes herself to be so morally repulsed by him.  And, that is the key.  The only way to properly shift a ‘love to hate’ relationship to ‘hate to love’ is through experience.  Write scenes that characterize them to one another.  Give them no chance but to understand one another, even when they don’t agree.  Focus on their differences in the beginning and give way to their similarities when you need progression.  Elizabeth was not what Darcy expected from a wife, nor he what she expected out of a husband.  They learned to love one another, and that’s the biggest win to make this trope work.

Before I end this, I want to reiterate that all of these tropes should be written during plot-driven scenes.  First think of the MC and LI’s goals in the book, and figure out how they’re going to overlap one another.  Make them fall in love during the wild, crazy adventure that is your main plot, not off to the side doing whatever they want to lose your reader’s interest.  Doing this correctly can make your readers overly committed to finding out how the two’s love story ends, and doing it wrong can make the reader irritated enough to put the book back on the shelf.  Choose your trope wisely, and take the time to write it well!

Chapter 17: The Freedom Game

Three years ago, the impossible happened: Ethlynn’s role in life changed from an ordinary slave to an all-powerful sorcerer.  Now, she’s seeking to become the apprentice of the very person whom she used to call ‘master.’  Why?  Her brother and sister’s lives are still on the line.

With only the clever but awkward Wystan to call her friend, her days of suppression aren’t over.  Despite constantly proving her strength with magic, her peers still look down on her as property.  She does her best to keep her chin up and slave collar clean, acting exactly as her teachers instruct.

Each test they put her through she finds herself questioning who she is and who she’s becoming. Will she be able to keep herself from becoming a cold-hearted killer? Is saving the life of her brother and sister worth the lives of countless others? Ethlynn will have to choose, if she can manage to stay alive…

 

I am BEYOND excited to announce my first book, The Freedom Game.  Also, I’d love to shout out Y. Nikolova at Ammonia Book Covers for the beautiful cover that you see above.

Sound like a book you’d be interested to try out?  It will be available on Amazon May 23rd.  Follow this blog for sneak peaks and more news!

Almost Invincible

Miss the release of Almost Invincible?! Click here to get it now!

It’s the third in the White Knight and Black Valentine series from Kristen Brand (aka my sister and role model).  It goes back to Dave’s POV, and what’re two traits we love about the ex-superhero?  His humility and how much he loves his family.  Well, Kristen knows him better than any of us, and she decided to make this book his worst nightmare.

A superhero theme park complete with a White Knight ride.. poor Dave…

A pack of supervillains with a vendetta against him.. getting worse..

His daughter trapped inside said theme park with said supervillains.. well shit..

I know what you’re thinking.  “Now I simply HAVE to get it.  Thanks J.E., for asking me to spend a whole $2.99!  Wait.. that’s not even a whole Starbucks drink.. Okay, I forgive you.”  So I’ll repeat: click here to buy it today!

Chapter 9: The 3 Best Books for Aspiring Authors

I’d be a fool if I didn’t think my readers ever tired of my voice.  Ask any of my friends and they might say they don’t recognize me with my mouth closed – although ironically they’d equally be as keen to tell you I’m a fantastic listener.  Now, with all that said, I know you’re here looking to expand your writing knowledge.  I gave you a deviance from the norm last week with my sister answering some questions, and now I’d like to do so again.

To say I write my books without any help would be a damn lie.  Firstly, I love the works of K.M. Weiland.  Although I know her to write fiction, I was introduced to her via the Structuring Your Novel Workbook: Hands-On Help for Building Strong and Successful Stories (Link here or below).  You’ll notice the link is to the paperback, when normally I’m so fond of eBooks.  Although from my link you can easily press the eBook, I would suggest the hard copy.  Weiland was very smart about this book, and inserted space for you to write your ideas onto the book itself.  This way it’s easier to collect your thoughts.  To give you an idea how helpful this book is, when I finished my first novel last year it was at just over 25,500 words – and that’s with an outline before.  I had to go back through several drafts to flesh out the characters and plot.  I’ve used her book as a guide for my plot for my current novel.  My first draft was over double at over 50,000 words!  Not only that, but I could see the rise in quality.  All of my beta readers commented on how progressed this one was to my last novel.  I owe that to Weiland.

Another suggestion I have is The Emotional Thesaurus: A Writer’s Guide to Character Expression (Link here or below) by Angela Ackerman and Becca Puglisi.  As authors, we often find ourselves repeating the same phrases for different emotions, whether it be quivering lips or a tightened stance.  (Please, for the sake of your readers, avoid the clichés of a single tear and other nuisances.)  This book provides both internal and external sensations, as well as suppressed and acute!  Even when rejected, I’ve found literary magazines have complimented my emotional descriptions since I’ve began utilizing this book!

If you’ve decided the self-publishing route, I have to suggest Successful Self-Publishing: How to Self-Publish and Market Your Book (Link here or below) by Joanna Penn.  I’d like to stress that this book is permanently and completely free.  It’s an easy read, but has numerous helpful tips that I look forward to using!  Although I haven’t personally read any more of her books, I’d suggest looking into them!  She also has a podcast that can be found here.  Also, look for “How to Write a Mystery With Rebecca Cantrell and J.F. Penn” where she gives me a shout-out!

Don’t be a hermit stuck in your little writing nest.  Authors have already made the mistakes you’re currently making, and a few like the ones above have taken the extra step to publish a book to help aspiring authors.  Take advantage!