Chapter 16: Have The Character But No Plot?

When writing a novel, the idea normally doesn’t come all at once.  Sometimes a scene comes, sometimes a place.  For me, personally, I often get to know my characters first.  They tell me where they’re from, how they reached where they are, their biggest fears, things about them they wish they could change – everything but what they want to do for the book.

So, what do I do?  First, I think about where they are in that moment.  What was their last accomplishment?  Were they proud of it, or has it left them wanting more?  Do they want more of the same, but better?  Or do they want something completely new?

Before I can think of anything else, I like to come up with their network of friends.  What’s their history together?  Do they trust one another, or is there tension?  As developing characters is personally my favorite part, so this is a lot of fun for me.  I like to think how they would interact with my protagonist.  Would they be funny together and provide bits of comedy?  Sexual tension and provide some steam?  An older sibling feel where they can provide necessary guidance?  Or do they absolutely hate each other but necessary to one another in a way that only history can explain?  A story can be made or broken by the minor characters.

Then, I like to think about what my character wants most in the world.  Is it a person?  Respect?  Power?  Or do they want nothing to do with the world anymore?  Now, do I want the story to be revolved around what they want or what the world throws at them?  What’s the worst thing that could happen to them?  What would make them want to do anything?

Or, is it easy for them?  Do they know what they want and are already willing to do whatever is necessary?  They already have the drive and will do it without any prompting?  Well, that’s nice.  But, now what?  How do I make it interesting?  Is there someone standing in their way?  How do I make it personal?  Think back to everything that makes them, them.  What’s the worst thing I can do to them?  As much as I love my characters, that’s always the question to ask.  Whatever’s the worst thing that could happen to them, make it happen.  That’s your story.


Stay tuned.. tomorrow I have some VERY exciting news to share with you all! 🙂

Write Perspective: Caraval



Book Description:

Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over.

But this year, Scarlett’s long-dreamt of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.

Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But she nevertheless becomes enmeshed in a game of love, heartbreak, and magic with the other players in the game. And whether Caraval is real or not, she must find Tella before the five nights of the game are over, a dangerous domino effect of consequences is set off, and her sister disappears forever.

Welcome, welcome to Caraval . . . beware of getting swept too far away.

Good for people who enjoy: strong female leads, beautiful scenery description, diverse personality group

Review: Where to begin?  The first thing I’d like to point out is how easily it was for my to fall into the rhythm of the world that Stephanie Garber created.  Her opening scene already had be empathetic towards the protagonist, Scarlett, even though I didn’t know too much about her yet.

Then, we’re swept away to the magical world that is Caraval, now paired with the love interest, Julian.  I’ve always been one who loved the dark, mysterious man.  Perhaps that’s why I was shipping the two from the get-go.  My only complaint about their relationship is how forgiving of his mistakes she is time after time, with little fight against it.  Still, he was so complex with a history that I was dying to figure out.  I have to insert my favorite quote in the book here: “Not quite sure how far she’d already fallen, she imagined loving him would feel like falling in love with darkness, frightening and consuming yet utterly beautiful when the stars come out.”  I enjoyed his progression throughout the story, and how he softened throughout the novel in regards to his willingness to falling in love.

The relationships between the characters was one of the best parts, in my opinion. Scarlett and her sister Tella’s personalities bounced off of each other in a way that only sisters can.  Having two sisters of my own, I could feel the weight that Scarlett felt trying to save her sister.  I loved her struggling between loving Tella and loving Julian, and fighting between her own desires and her protectiveness of Tella.  Even the minor characters had very strong personalities that made you instantly like or hate them.  She was constantly meeting new characters on her journey, trying to decide who was friend or foe.  I liked one in particular, Aiko, who just popped in randomly and was awesome.

Caraval itself was a world I’d love to visit.  It balanced magical curiosity and imminent danger in a way that I have to give applause to Garber.  You wanted to see its wonders and experience everything all at once, even though you knew there was something not quite right.  I felt like I was walking right along with Scarlett and could see and feel its pull all around me.

I think what I love most about this book is how I was constantly filled with so many questions that I had such a need to know the answer to right then and there.  Garber knows exactly how to give you just enough information to wanting more.  This is the first book in a long time that I read in one sitting.


Overall Rating: 4.5 stars




Back from the Dead

Hello my amazing readers and writers!  As it turns out, graduating from college takes a lot of effort.  Senioritis is in fact very real, and so whenever I had any energy to do anything, I had to spend it on ensuring I passed my classes.  What that meant for you all is that I completely disappeared from the world and had basically no updates.

I must say it feels good to be back!  I will now update once every two weeks, to ensure that my work is quality over quantity.  That doesn’t include my picture blurbs or my book suggestions, which will most likely be random, but always on Tuesdays or Thursdays.

2018 is going to be a productive year for me!  If all goes according to plan, I will be publishing four books this year!!  Be sure to subscribe to my email list to make sure you don’t miss any of my sneak peaks or special deals.  Later this month, I’ll be doing a book reveal for my first release, Runaway.

Stay tuned for more nerdy awesomeness!

Chapter 15: 5 Most Hated Characters in Literature & Film

As writers, we invest so much time into our characters.  Sometimes, we even end up knowing them better than we know ourselves.  We think up their back story, and learn who that makes them today.  We spend time getting to know what they would do in the situations we throw them into.  It takes time, and it matters.  Characters can make or break a book.  Often the best serious have the best characters that we either love to love or love to hate.

For the sake of relatability, I decided to limit the list to characters in well-known series.

#1 – Dolores Umbridge from Harry Potter

This one is overly obvious.  I mean, seriously.  She’s more hated than He-Who-Shall-Not-Be-Named.  How the hell does she manage to be more detestable than the Dark Lord himself?  Well, she makes it look easy.  Rowling took the evil of Voldemort but put it in a pink little box tied with a bow.  Think about how complex she was as a character.  She gave depth to the ‘evil’ in Harry Potter.  Pushed it away from a grotesque villain with no nose, evil minions in skull-like masks, and hideous creatures that suck away your soul.  She made evil look polished.  She showed how even the most refined can have the nastiest layers underneath.  There were obvious hints at her being eccentric.  (I mean, y’all did see her office, right?)  So, what does she teach us?  Your main antagonist has followers just like your protagonist.  Challenge that definition.  Don’t have them the same.  Just as you want your protagonist and side-kick to complement each other, do the same on the other side.  You might make someone so beautifully horrible like Umbridge.

#2 – Joffrey “Baratheon” from Game of Thrones

Okay, let’s be real.  His real name is Joffrey Lannister and his death was the first real happiness any GOT felt either reading or watching the series.  There is nothing worse than watching some silver-spooned little brat play victim.  Even worse?  He had them kill a direwolf.  A very easy (yet cruel) way to make your readers hate a character is to have them hurt/kill an animal.  Literally, nothing sets off people more.  Another is to put them up against your more loved villains.  People hated Tywin Lannister, but they respected his counsel.  When Martin wrote the scene of Joffrey versus Tywin, ending it on the note of Joffrey being sent to bed, it marked Joffrey as pitiful.  We hated him.  Even though we didn’t like Tywin, we applauded him in that moment.  Don’t limit yourself to hero versus villain.  Be bolder than that.  Show your villains up against one another, their dynamic.  It’ll provide more depth and create a bigger bond between them and the reader.

#3 – Gríma Wormtongue from Lord of the Rings

He’s a much smaller character as the others in this list, but is too cringe-worthy to not include.  For those who can’t place the name, he’s the grimy little servant who was whispering in King Théoden in Edoras.  For starters, he sexually harasses Éowyn, being known to “haunt her steps,” aka stalk her.  In the film, he also tries to take advantage of her grief of her cousin’s death to lay on some creepy-ass moves.  He also completely exiles her brother, after he tells Gríma to back off.  Hell, he even claims to have eaten (yes eaten) Lotho Sackville-Baggins under Saruman’s orders.  His only redeeming moment was when he slit Saruman’s throat, but even then we were not sad in the slightest to see him die shortly after.  (That scene only takes place in the books for those who are confused.)  How did Tolkien make someone so detestable that even when their last act was heroic, you applaud their death?  Well, for starters, no one likes a traitor.  People theorize that Gríma was offered Éowyn for his services to Saruman, and that’s why he did it.  What’s worse than someone with no moral code who throws away honor for obsession?  Easy.  Someone who’s willing to force the woman, despite her clear disinterest.  To make it worse?  Make him slimy.  He was too pathetic to stand up for himself.  The moment he didn’t have an army under his illusions of power, he ran away.  So, he’s a coward, too.  Also, cannibalism is always a no-go on people’s radar.  In other words, a very easy (albeit drastic) way to make your readers not like someone.

#4 – Jar Jar Binks from Star Wars

Now, the next two characters are a bit different.  Why?  They weren’t designed with the intention of being hated.  Jar Jar Binks was put into the films as a comedy relief.  Their mistake was the sheer level of stupidity.  There’s nothing wrong with having someone who’s not academically inclined – in fact, I encourage it as to show a more variety of strengths in your characters (just because they’re stupid with ‘academic’ knowledge, doesn’t mean they can’t be savvy with their people skills, or maybe art).  Although there were definitely other things wrong with Episodes I – III, Jar Jar played a large roll in ruining the trilogy.  All your characters (no matter how stupid) need depth.  Make them more than just the idiot.  That’s not fair to them or your readers.  All of your characters should be three-dimensional.  Don’t think that just because your character isn’t classically intelligent, that they don’t have layers.  They do.  Still get to know them.

#5 – Bella Swan from Twilight

I expect more backlash on this one, but plain and simple, Bella doesn’t fulfill the role of protagonist well at all.  She is too dependent.  The second book is literally her trying to kill herself constantly.  The book doesn’t exist without Edward, and neither does she.  Now, I’m not saying suicidal thoughts in themselves are a no-go.  But, please, don’t use them lightly.  That’s a very real problem in society today, and instead of using the opportunity to highlight Bella overcoming the terrible thoughts and finding herself, Meyer had her completely lost until Edward was back.  That’s not okay.  She was not developed enough as a character.  Make sure you establish your characters independently from one another.  Yes, have them complement each other.  Dynamics can be really fun to write.  But, please, make a character more than their dynamic with the other characters.  Give them values and passions past staying with their boyfriend.

Harry Potter and the Cursed Child

I need to take a moment to give props to JK Rowling on the entertainment front.  She’s literally dipped into every almost avenue possible: books, movies, amusement parks, and the stage.  (Pictured is my best friend, Courtney, standing outside the stage of Harry Potter and the Cursed Child in London England.)  Being an author is (sadly) about more than just writing good work.  You have to think about it as a business.  Not necessarily in the same way as Rowling.  But here’s the question I give you: how can I reach a wider audience?